SKU: 82337998977
hot pink ruffle prom dress

hot pink ruffle prom dress Hot Pink Halter Cut Out Ruffle Long Formal Prom Dress CHP0314 – cherishgirls

Sale price$23.77 Regular price$26.41
Save 10%
Size: 4

Pay in installments of $6.60 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 15 - Jul 20

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

hot pink ruffle prom dress Hot Pink Halter Cut Out Ruffle Long Formal Prom Dress CHP0314 – cherishgirlsWelcome to our store, wish you a very good time here. Dresses could be custom made, wholesale and retail are also warmly welcomed. Customer service email: service@cherishgirl. com(Please pay attention to your email after payment, because we will send you an email on order confirmation) Description 1. Fabric: imported satin, silk, special taffeta, stretch satin, organza, chiffon, lace, tulle are available. 2. Embellishment: beading, embroidery,

Welcome to our store, wish you very good time here.
Dresses could be custom made, wholesale and retail are also warmly welcomed. Customer service email: [email protected](Please pay attention to your email after payment, because we will send you an email on order confirmation)

Description

1. Fabric: imported satin, silk, special taffeta, stretch satin, organza, chiffon, lace, tulle are available.

2. Embellishment: beading, embroidery, appliques, handmade flowers, handmade ruffles are available.

3. Color: as shown in the picture or other colors(please check our Color Chart),please leave the color number in cart note or contact us.

4. Closure: available in lace up or zipper. We are good at making the dresses in different back style according to customers' specifications.

5. Size: standard size, please refer to our Standard Size Chart ,When you choose "Custom Size", please refer Measuring Method and you need measure below sizes:


1.Bust=_____ inches/cm
2.Waist=_____inches/cm
3.Hips=________inches/cm
4.Shoulder width(measure from back)= ___ inches/cm
5.Hollow to floor no shoes=________inches/cm
6.Full height from top of head to floor no shoes=______inches/cm
7.The dress shoes heel high=______inches/cm
8.Occasion Date:=________

Send the measurements to me as soon as you payment .

Click it to see our Standard Size Chart
Click it to see our Measuring Method


6.Delivery time

This dress is Made-To-Order, Whether you choose a standard size or custom measurements, our tailors craft each dress to order.

Normal: tailoring time (7-15 days)+shipping time (5-10 days)

Busy season: tailoring time (10-40 days)+shipping time (5-10 days)

(February to May is the peak season, for the tailoring time, it depends on the complexity of the dress)

7.More information you need to know:
1. Shipping Method: by UPS or DHL or some special airline
2. Return Policy and FAQ
3. Size Chart and Color Chart

About Feedback

If you are satisfied with our items, please kindly give us 5 stars feedback. We will appreciate it! But if you receive an unsatisfied items for some reason, please feel free to contact us within 3 days, we will try our best to help you deal with it.Thanks for your understanding!

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 82337998977

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4.6 ★★★★★
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D
Verified Purchase
David R. Papke
Pawtucket, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Dallas, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Bozeman, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
West Palm Beach, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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